Yes, thus the goal of existentialism.
We will never find in life itself the meaning that we want to find. Either we will discover that meaning through a leap of faith, by placing our hopes in a God beyond this world, or we will conclude that life is meaningless. Camus opens the essay by asking if this latter conclusion that life is meaningless necessarily leads one to commit suicide.
If life has no meaning, does that mean life is not worth living? If that were the case, we would have no option but to make a leap of faith or to commit suicide, says Camus. Camus is interested in pursuing a third possibility: The absurd is a contradiction that cannot be reconciled, and any attempt to reconcile this contradiction is simply an attempt to escape from it: Camus claims that existentialist philosophers such as Kierkegaard, Chestov, and Jaspers, and phenomenologists such as Husserl, all confront the contradiction of the absurd but then try to escape from it.
Existentialists find no meaning or order in existence and then attempt to find some sort of transcendence or meaning in this very meaninglessness. Living with the absurd, Camus suggests, is a matter of facing this fundamental contradiction and maintaining constant awareness of it. Facing the absurd does not entail suicide, but, on the contrary, allows us to live life to its fullest.
Camus identifies three characteristics of the absurd life: Camus gives four examples of the absurd life: Absurd art does not try to explain experience, but simply describes it.
It presents a certain worldview that deals with particular matters rather than aiming for universal themes.
The book ends with a discussion of the myth of Sisyphus, who, according to the Greek myth, was punished for all eternity to roll a rock up a mountain only to have it roll back down to the bottom when he reaches the top.
Camus claims that Sisyphus is the ideal absurd hero and that his punishment is representative of the human condition: Sisyphus must struggle perpetually and without hope of success. So long as he accepts that there is nothing more to life than this absurd struggle, then he can find happiness in it, says Camus.
Camus appends his essay with a discussion of the works of Franz Kafka. He ultimately concludes that Kafka is an existentialist, who, like Kierkegaard, chooses to make a leap of faith rather than accept his absurd condition. However, Camus admires Kafka for expressing humanity's absurd predicament so perfectly.Albert Camus (–) was a journalist, editor and editorialist, playwright and director, novelist and author of short stories, political essayist and activist—and, although he more than once denied it, .
The Myth of Sisyphus can be read as an attempt to clarify and to make explicit the worldview expressed in The Stranger, and The Stranger can be read as an example of the absurd hero and the absurd fiction described in The Myth of Sisyphus. Albert Camus was a French-Algerian journalist and novelist whose literary work is regarded as a primary source of modern existentialist thought.
A principal theme in Camus' novels is the idea that human life is, objectively speaking, meaningless. This results in absurdity which can only be overcome.
The Myth Of Sisyphus The myth of Sisyphus was a paper written by Albert Camus to show that life has no ultimate meaning. This goals of men and woman are false and in the end humans really accomplish nothing. Albert Camus is most famous for his existential works of fiction including The Stranger as well as his philosophical essay The Myth of yunusemremert.com led the French resistance press during Nazi Occupation and became one of the youngest Nobel laureates in literature.
Camus' early essay collection Noces (Nuptials) features essays set amidst classical Roman ruins; as the Myth of Sisyphus and The Rebel (which takes as its hero Prometheus) both .